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The Famous Flying Magnet Trick

Sometimes the day-job overlaps the image biz.  Here, I include a few snaps of the delivery of our 800MHz magnet system.  Hmm.  Right, an 800MHz magnet system is a superconducting magnet housed within a complex vacuum bottle – think thermos on a grand scale with a big magnet inside.  How big is the magnet?  Ball park…when energized the field is more than 300,000 times greater than the Earth’s magnetic flux (strength).  Not to worry, it’s not a magnet yet, that happens later (stay tuned), otherwise you’d be seeing pics of the magnet stuck to the crane – cute, but not our deal.

Flying Magnet System

Flying Magnet

The gadget flies pretty well!  Think of this thing as a 4 ton jewelry box.  The riggers and crane-team need to run the gizmo into space without disturbing the gemstones.  Did I mention that the piece is worth a cool $M.  Don’t be nervous, it’s only a hand-made one-of-a-kind sort of thing…

Flying Magnet

Not Flying Magnet

Kudos and sincere thanks to Intermountain Rigging and Heavy Haul and Wagstaff Crane for a job well done – special thanks to Robert and Wade!  If you ever need anything large-ish toted around, give these guys a call – they are the best I’ve worked with in +20 years of big-stuff-moving.

The Road to Shangri-La

In Lost Horizon, James Hilton describes a mythically beautiful and peaceful mountain kingdom named Shangri-La.  Thanks to the film rendition of Frank Capra, Shangri-La remains one of our most endearing fables.  I had a chance to visit a Shangri-La last July, and am happy to report that things are well there.

The Road to Shangri-LaThe image of the road to Shangri-La was recorded on July 25, 2008 at about 17:50 hrs (PST), using the Nikon D300 and the AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR lens at 16mm (24mm FX equivalent).  The exposure was f/16 at 1/125s, ISO 400.  Handheld.  Converted to BW using Nik Silver Efex Pro.

Shortly after turning the corner at the end of the straight path (above), I stopped to rest and ran into the little marmot shown below.

Flower-Munching Marmot

The little guy seemed to be quite content munching flowers.  I’m fiddling with the gear and I hear, ‘Psst.’  I look around…nobody.  Hmm.  Back to the fiddling.   A few seconds later I hear, ‘Pssst, hey buddy!’  It’s just me and the marmot.   There’s  no one else around so I say, ‘You talkin’ to me?’  The little marmot  sits back on his hind legs and says, ‘Who are ya, Travis Bickle?…Of course I’m talkin’ to you’.  Gads, altitude sickness.   Then the marmot asks, ‘Got any Candy?’  Okay, I’ll play along, so I say,  ‘Ah, we’re not supposed to feed the wildlife’.  The marmot seems a bit put out and says, ‘Whaddaya, Sunday School teacha?’  Yeah, the marmot talks like a gangster, a Philly gangsta no less.

Marmot

Then the marmot says, ‘Got a secret’.  Yeah, several I’d say.  ‘What’s your secret?’, I ask.  ‘Gimme da candy’, he says.  No Ranger around, what’s the harm anyway?  I rummage around and find a granola bar.  ‘This do’?, I ask.  The marmot gives this big sigh, and says, ‘No boyd food…Snickaz!’  ‘Sorry, no Snickers’, sez me.  Another big sigh, ‘…Okay, gimme’.  I toss the bar over to the marmot, who picks it up, and inspects it briefly before charging off.  I take off after the little robber and chase him to the top of a ridge, where I acquire a most excellent view of Shangri-La.  ‘Deal?’, says the marmot.  Deal.

Shangri-LaThe image above of Shangri-La was recorded on July 25, 2008 at 18:30 hrs (PST) using the Nikon D300 and the AF-S DX NIKKOR f/3.5-5.6G ED VR lens at 16mm.  Exposure was f/16 and 1/80s, ISO 200.  The image was generated from a series of  8 images, stitched together using AutoPano Pro v1.4.2.

If you happen to run into a gansta marmot with a sweet tooth on the road to Shangri-La, tell him I said ‘hey’.

Green Lakes

The Green Lakes Trail in Oregon’s Three Sisters Wilderness is one of those routes folks dream about.  The HP and I have wandered around here quite a bit, and will confirm this trail would definitely be a highlight to any trip to central Oregon.  The most popular route to the lakes begins in a parking lot just off of the Cascade Lake High way (Oregon Highway 46)  in central Oregon, just a little more than 26 miles west of Bend, OR.  The trail follows Fall Creek for about four miles, crossing it several times on the way to the  pristine Green Lakes basin. The trail head is just about mile-high, and climbs about 1000 ft into the basin.  Remarkably, on this trip, in the third week of July, we encountered snow after walking about 0.5 miles, and spent most of the day walking on snow.  Under such conditions, a pair of walking sticks is virtually essential – don’t forget ’em.

Green Lakes and Broken TopThe image above, of Broken Top, and the largest of the Green Lakes, was recorded on July 21, 2008, at 11:45 PST, using the Nikon D300 and the AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR at 25mm (37mm full frame equivalent).  Exposure was f/18 at 1/200s, ISO 200.

HP at Green LakesThe snap above, of a peaceful HP at Green Lakes with South Sister in the background, was shot on July 21, 2008, at almost exactly noon (PST), using the Nikon D300 and the AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR at 16mm.  Exposure was f/16 at 1/160s, ISO 200.

Fall CreekThe image above, looking north up Fall Creek near trail’s end with Broken Top in the distance, was recorded on July 21, 2008, using the Nikon D300 and the AF-S DX Zoom-NIKKOR 12-24mm f/4G IF-ED at 17mm.  Exposure was f/14 and 1/30s, ISO 200.   Processing was intense on this image.  First, to add detail in the clouds the Overlay Move was applied: copy the Background layer twice to generate Backgroup copy and Background copy 2 layers.  Deselect the view on the Background copy 2 layer.  Select the Background copy layer and using Apply Image, add the red channel, inverted, in Overlay mode, to the Background layer.  Apply Gaussian blur to the layer (250 pixels, 2x).  Reactivate the view on the Background copy 2 layer and select that layer.  Change the blending mode to Darken.  Flatten the layers and copy the new Background layer to generate a Background copy layer.  Change the blending mode on the Background copy layer to Multiply.  Add a mask to the Background copy layer and apply a gradient, inverted, to further darken the sky without darkening the foreground.  Whew,  now you understand why I don’t typically supply all the processing details in the blog entries!