Posts Tagged ‘Nikon’

D4 in the House

Well, at long last (relatively) the Nikon D4 finally resides at Casa Don Pedro.  Many thanks to Eugene Jabbour of Competitive Cameras for finding me via cell com…

Eugene:  ‘Hello, this is Eugene from Competitive Cameras, is this Peter?’

Me:  ‘Yes Eugene, this is Peter.’

Eugene:  ‘This is going to be a very expensive Phone Call.’

Me:  ‘Thank you Eugene, I’m quite prepared…’

In about 30 seconds the deal was done, and the D4 was on it’s way to Salt Lake City.

Any deliveries that require a signature, which is most deliveries, are sent to the HP’s office.

The package was delivered at 12:52, and the HP shuttled it down to my lower campus office by mid afternoon.

The package immediately went to Casa Don Pedro for unboxing and initial inspection.  Everything checks out perfectly.

The EN-EL18 battery is placed on charge and CF and XQD cards are organized for the initial testing to begin the morning of April 19.

Who has EN-EL18 batteries for sale?!!!

Stay tuned!

Copyright 2012 Peter F. Flynn.  No usage permitted without prior written consent. All rights reserved.

A Discursive Wonder

I learned a new word yesterday:  Discursive.  A great one, it kindalike suggests the act of moving from one subject to other subjects in what seems like a random pattern.   Sound like anyone  you know?  Anyway, anyone who has followed modern photography has heard of Joe McNally.  A proven and inspired shooter, McNally has recently become one of our most knowledgeable and entertaining teachers. His new book, The Hot Shoe Diaries, confirms the importance of his role as sensei of portable lighting. McNally’s lighting kit; containing about a dozen Speedlights, is laid out on pages 6 and 7 of the book – right up front – confirming that this is a technically oriented piece on practical lighting using small hand held flashes. In his signature self-deprecating way, McNally points out that his book is not a manual, and instead *discursive* is the word he uses to define his approach. High energy, boundless enthusiasm, indulging instanteous inspiration: check, check, and check – it’s all in there – but a textbook? – not so much. Rather, McNally shares a series of vignettes; which are here brief, technical accounts of a particular lighting challenge, each one adding either a unique new perspective or reinforcing an earlier lesson. Although the book is structured around the use of the Nikon Creative Lighting System, the vast majority of the lessons are completely general, and will be of central interest to anyone interested in learning how to use artificial light in the real world. Highly recommended.