Archive for the ‘Rock Art’ Category

Archive Friday: Five Faces Panel

Canyonlands National Park is one of our favorite ancient rock art hunting grounds.  There are a large number of sites scattered over 527 square miles (!), with the great bulk of the sites accessible only with long drives along primitive roads, many with significant hiking involved.  The potential for epic journeys here are virtually limitless…

The route finding can be extremely challenging, and often the art work remains invisible until you are right next to it.  The rewards of such a journey are (of course) found as much in the enjoyment of the quest as in the discovery itself.

The Fremont culture lived throughout Great Basin from approximately 600 AD through 1300.  Their main legacy to us is a distinctive rock art style consisting of both petroglyphs and pictographs found through the four corners area.  Human figures are commonly featured in the style, in which the drawings consist of a characteristic (inverted) bucket-shaped heads, often extensively adorned with necklaces and earrings.  Curiously, both nose and mouth are omitted in the depiction.

An important variant form of Fremont style pictography is the ‘Faces’ motif.  The Faces motif is characterized by super-sized Fremont style depictions of a series of human figures that emphasize the torso and head.  Perhaps the most remarkable feature of the Faces style is the degree of preparation of the surfaces on which the art appears.  Faces style art appears exclusively (as far as I am aware) on relatively soft vertical sandstone, over which the facial region of the figures has been worn smooth prior to application of pigment.  Here we find five completed Faces, with efforts to construct a sixth Face visible at the far left of the panel images.

The art shown in this entry is found in an alcove in Davis Canyon, just a few hundred yards inside the Canyonlands National Park boundary.  The major challenge with viewing this site is getting to the park boundary.  The drive involves traveling eight miles over rough road, almost six of it in soft sand. Visitors should be aware that there is absolutely no water here.  The site is also relatively remote – when we visited the area the previous log entry in the official park log was almost three weeks earlier – it would most probably be a long lonely walk to Highway 211.

Images in this entry were recorded at 18:00 MDT* on June 16, 2006, using the Nikon D200 and the AF-S DX Zoom-NIKKOR 18-70mm f/3.5-4.5G IF-ED, AF Zoom-Nikkor 80-200mm f/2.8D ED, and the 50-500mm F4-6.3 EX DG HSM lens.  Although the 80-200mm lens remains a solid option if you can live without VR, the 18-70mm and (especially) the 50-500mm have been displaced by excellent modern options – nevertheless, I think that these images hold their own.

The route and site are described in the book entitled Canyonlands Nation Park, Favorite Jeep Roads & Hiking Trails by David Day, and in a number of excellent blogs.

* This time based on EXIF data, however it is almost certainly incorrect.  Based on other (later) images recorded that day, it is probably at least 3 hours earlier.

Copyright 2011 Peter F. Flynn.  No usage permitted without prior written consent. All rights reserved.

Archive Friday: Procession Panel

In this entry we’ll raid the archives again…  In fact I’m trying to challenge myself to review some older images with the purposes of 1) simple rescue; and 2) keep me on a tighter processing schedule.  Thus for the next few weeks at least, I’m trying to move a few things from the archives to the main view port.

Reviewing  archival images is important.  It helps provide an essential sense of momentum (or lack thereof) in our work.  Are we evolving/progressing?  Are we heading in the right direction for improving our capture *and* our processing?  Right now I’m focusing on capture issues, and I’ve become increasingly confident that my best images have been recorded during well-defined photographical missions.  Often we visit a particular location many times before I get the elements close enough to the target to be satisfied with the results.  Other times I have managed to get a few keepers on a wander or first visit to a place, but even then, most often my favorite images are those which I have imagined beforehand.

One of my favorite mission targets has been ancient rock art.  I find the kooky symmetry of using state-of-the-art digital format to capture ancient art challenging and intriguing.  I also find that locations at which the most outstanding rock art are found possess an oddly compelling atmosphere – read that spookiness.   There are many excellent examples of rock art on the Colorado Plateau, and among the most curious of these is found along the Comb Ridge in southeastern corner of Utah, at a site known simply as the Procession Panel.

The image above shows the entire Procession Panel.  It’s quite large, perhaps 40 ft from eastern to western edges.

The image above includes the characteristic feature of the panel, which is a grand procession of individual figures.  Remarkable.  One cannot help but speculate on the meaning of this glyph.

Images in this gallery were recorded on at around 16:00 MDT on May 26, 2006, using the NIKON D70s and the AF-S DX Zoom-NIKKOR 18-70mm f/3.5-4.5G IF-ED lens at a variety of focal lengths.  Yeah, these images have been squirreled away for quite some time.  I rediscovered them recently while doing some retro keywording.  This was the first digital camera setup I owned, and I haven’t used it in years.  While it is certainly true that the technology has improved in the past 5 years, this system remains remarkably competent.

The image above includes one of the major features of the panel, which is a large rendering of two sheep.  At the hind end of the sheep there is a large snake, drawn in the characteristical form of the region – feel free to speculate about this placement, as it is anyone’s guess.  Note that the procession of figures continues all the way across the top of the other glyphs.

Finally, below, I include a glyph of the most intrepid HP.

I include my notes from the visit below:

May 26, 2006.  Visited Procession Panel and Sand Island Panel in San Juan County Utah.  Brilliant sun with high winds, e.g., enough breeze to blow the tripod over.  Cryptic route descriptions from Tassoni did not defeat the effort to locate these excellent panels.  Procession is as pristine a panel as I have thus far seen, owing without doubt to its location.  Sand Island is sadly much abused, but retains enough of its nearly unparalleled glory to remain a marvel.

Copyright 2011 Peter F. Flynn. No usage permitted without prior written consent. All rights reserved.